ACtor, Puppeteer, Educator

AEA - SAG/AFTRA

Now: Eva in a reading of hyper_object by Graham Sack at JHU MICA. hyper-object is a “work in progress live theater and interactive media experience that uses wearable neurotechnology to tell the story of a sentient plant that can perceive the thoughts of humankind.”

Last: Evan in Another Kind of Silence at City Theatre. As covered in American Theater.

Recent: Helene Weigel in The Cabinet of Dr. Caligari and Penelope and Circe in An Odyssey, both with Quantum Theatre Company.

Notable: Actor/devisor with Tectonic Theater Project’s The Album: Here There Are Blueberries, which was a 2024 Finalist for the Pulitzer Prize in Drama.

Theatre Sabab's In The Eruptive Mode: a series of monologues in Arabic and English that explore themes of desire and violence in the contemporary Arab world. We performed in Tunis in November, 2016; in Metz, France at the Festival Passages in May, 2017; and in Antwerp, Belgium in October, 2017, and at ArtsEmerson in Boston in January, 2018.

Ingrid Bergman in CasablancaBox, a behind the scenes telling of the making of Casablanca - a movie about a war, made during that war, largely by people displaced by that war. We ran at HERE Arts Center in April 2017 and were nominated for two Drama Desk Awards: Outstanding Projection Design for Reid Farrington, and Unique Theatrical Experience. 

Streaming: Dan Hurlin's Demolishing Everything with Amazing Speed premiered at Bard SummerScape in 2016. As part of their Upstreaming series, the whole performance is now available through the Fisher Center’s Virtual Stage. See the New Yorker's wonderful teaser video. Read Ben Brantley call it a "Harrowing Puppet Show" in his Review in The New York Times. Read Helen Shaw's gorgeous Review in the Village Voice. Read Howlround's stunning essay on the piece. 

Company member with Blessed Unrest. Theatre Maker with Daughters of Troy.